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SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print
SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print

SHEPARD FAIREY x BLEK LE RAT 'David' Screen Print

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'David' by Shepard Fairey, 2008
Collab. with artist Blek Le Rat and photographer Sybille Prou.
18 x 24 Inches
Screen print on white, Speckletone fine art paper.
Limited Edition of only 100 (#74/100)
Signed, numbered and dated by Fairey in pencil.
Also signed by both Blek Le Rat and Sybille Prou.

ARTIST BIO (Shepard Fairey)

Frank Shepard Fairey (born February 15, 1970) is an American contemporary graphic designer, and illustrator who emerged from the skateboarding scene. He first became known for his "Andre the Giant Has a Posse" (…OBEY…) sticker campaign, in which he appropriated images from the comedic supermarket tabloid Weekly World News. His work became more widely known in the 2008 U.S. presidential election, specifically his Barack Obama "Hope" poster.

The Institute of Contemporary Art, Boston calls him one of today's best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, and the Victoria and Albert Museum in London.

ARTIST BIO (Blek Le Rat)

Blek le Rat, born Xavier Prou in Boulogne-Billancourt, Paris in 1951, was one of the first graffiti artists in Paris, and the originator of stencil graffiti art.

He began his artwork in 1981, painting stencils of rats on the street walls of Paris, describing the rat as "the only free animal in the city", and one which "spreads the plague everywhere, just like street art". His name originates from a childhood cartoon "Blek le Roc", using "rat" as an anagram for "art".

Initially influenced by the early graffiti art of New York City after a visit in 1971, he chose a style which he felt better suited Paris, due to the differing architecture of the two cities. He also stated the influence of New York's Richard Hambilton, who painted large-scale human figures in the 1980s. Blek is credited with being the inventor of the life-sized stencil, as well as the first to transform stencil from basic lettering into pictoral art.

Blek's identity was revealed to French authorities in 1991 when he was arrested while stenciling a replica of Caravaggio's Madonna and Child, with the connection to Blek and his artwork being made by police. From that point on, he has worked mainly with pre-stenciled posters, citing the speedier application of the medium to walls, as well as lessened punishment should he be caught in the act.

He has had a great influence on today's graffiti art and "urban art" movements, the main motivation of his work being social consciousness and the desire to bring art to the people. Many of his pieces are pictorials of solitary individuals in opposition to larger, oppressive groups. He has also been noted for his series of images representing the homeless, begun in 2005, which depict them standing, sitting or laying on sidewalks, in attempts to bring attention to what he views as a global problem.