ABOUT THE ART
In the early 1960s, Lichtenstein produced several "fantasy drama" paintings of women in love affairs with domineering men causing women to be miserable, such as Drowning Girl, Hopeless and In the Car. These works served as prelude to 1964 paintings of innocent "girls next door" in a variety of tenuous emotional states. "In Hopeless and Drowning Girl (which come from the same source), for example, the heroines appear as victims of unhappy love affairs, with one displaying helplessness ... and the other defiance (she would rather drown than ask for her lover's help).” Another possible influence on his emphasis on depicting distressed women in the early to mid-1960s was that his first marriage was dissolving at the time. Lichtenstein's first marriage to Isabel Wilson, which resulted in two sons, lasted from 1949 to 1965.
Hopeless is a typical example of Lichtenstein's Romance comics with its teary-eyed face and dejected woman filling the majority of the canvas. Lichtenstein made modifications to the original source using vibrant colors and bold and wavy lines to intensify the emotion of the scene. The work is considered a significant advancement in Lichtenstein's "form, color, composition, and overall power of image." In works like Hopeless, Lichtenstein derived enduring art from a fleeting form of entertainment, while remaining fairly true to the source. This particular source is considered typical melodramatic romance comic scene for that era.