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FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print
FAILE 'Hollywood Nights' Framed Archival Giclée Print

FAILE 'Hollywood Nights' Framed Archival Giclée Print

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'Hollywood Nights' by Faile, 2021
28 x 42 Inches (print)
37.4 x 51.4 x 1.4 Inches (framed)
Archival giclée print on deckled edge 300gsm Somerset fine art paper.
Limited Edition of 400 (#117/400)
Signed and dated by the artist duo on front.
Hand-numbered in pencil on reverse.
*Note: professionally mounted and custom framed in archival matting, UV-plexiglass and white hardwood molding.

ARTIST BIO

FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (b. 1975, Edmonton, CA) and Patrick Miller (b. 1976, Minneapolis, MN). Since its inception in 1999, FAILE is known for their pioneering use of wheat-pasting and stenciling in the increasingly established arena of street art, and for their explorations of duality through a fragmented style of appropriation and collage.

During this time, FAILE adapted its signature mass culture-driven iconography to a wide array of media, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, multimedia installation, and prayer wheels. While FAILE's work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media and architecture into their work.