BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery
BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition - Signari Gallery

BANKSY (after) 'Love is in the Air' (brown) Deluxe Edition

Regular price
$500.00
Sale price
$500.00

‘Love is in the Air’ (brown) by Banksy (after), 2003
19.75 x 27.5 Inches
Deluxe Edition: screen print on 330gsm deckled edge, fine art paper.
Limited Edition of only 20 Artist Proofs (#AP3/20)
A professionally printed, precise replica made to exacting quality based on the original edition released by Pictures on Walls in 2003.
Same size, same edition number in a Deluxe paper edition, stamped “Banksy” in red en verso.


ARTIST BIO

Whether plastering cities with his trademark parachuting rat, painting imagined openings in the West Bank barrier in Israel, or stenciling “We’re bored of fish” above a penguins’ zoo enclosure, Banksy creates street art with an irreverent wit and an international reputation that precedes his anonymous identity. “TV has made going to the theatre seem pointless, photography has pretty much killed painting,” he says, “but graffiti has remained gloriously unspoilt by progress.”

Banksy has gained his notoriety through a range of urban interventions, from modifying street signs and printing his own currency to illegally hanging his own works in institutions such as the Louvre and the Museum of Modern Art. Most often using spray paint and stencils, Banksy has crafted a signature, immediately identifiable graphic style—and a recurring cast of cops, soldiers, children, and celebrities—through which he critically examines contemporary issues of consumerism, political authority, terrorism, and the status of art and its display.