ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag
ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag
ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag
ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag
ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag

ANDY WARHOL 'Campbell's Soup' Canvas Tote Bag

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'Campbell's Soup' by Andy Warhol (after), 2020
Collectible canvas Tote Bag by Galison.
Officially licensed by the Andy Warhol Foundation.
17 x 14 x 4 Inches
New canvas tote bag featuring the artist's tomato soup can imagery.
Andy Warhol stamped signature on reverse.
Comes with original tags and Limited Edition pin set.
New in original packaging.

ABOUT THE ART

Andy Warhol famously appropriated familiar images from consumer culture and mass media, among them celebrity and tabloid news photographs, comic strips, and, in this work, the widely consumed canned soup made by the Campbell’s Soup Company. When he first exhibited Campbell’s Soup Cans in 1962, the canvases were displayed together on shelves, like products in a grocery aisle. At the time, Campbell’s sold 32 soup varieties; each one of Warhol’s 32 canvases corresponds to a different flavor. (The first flavor the company introduced, in 1897, was tomato).

Though Campbell’s Soup Cans resembles the mass-produced, printed advertisements by which Warhol was inspired, its canvases are hand-painted, and the fleur de lys pattern ringing each can’s bottom edge is hand-stamped. Warhol mimicked the repetition and uniformity of advertising by carefully reproducing the same image across each individual canvas. He varied only the label on the front of each can, distinguishing them by their variety. Warhol said of Campbell’s soup, “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the same thing over and over again.”

Towards the end of 1962, shortly after he completed Campbell’s Soup Cans, Warhol turned to the photo-silkscreen process. A printmaking technique originally invented for commercial use, it would become his signature medium and link his art making methods more closely to those of advertisements. “I don’t think art should be only for the select few,” he claimed, “I think it should be for the mass of the American people.”