'Robot and Bear' by Jonas Wood, 2024
From the artist's solo exhibition, 'Jonas Wood at Gagosian', 2024.
Gagosian Gallery, Grosvenor Hill, London.
30 x 24 Inches
76.2 x 61 Centimeters
Rare offset lithograph poster on heavy, gloss fine art paper.
Limited Edition of unknown quantity.
*Note: Excellent original condition.
ABOUT THE ART
This poster featuring 'Robot and Bear' (2024) was produced in 2024, in conjunction with the exhibition Jonas Wood at Gagosian, Grosvenor Hill, London. In his new paintings, Wood explores color, pattern, and space through the treatment of recurring subjects, including plants, family, and interiors.
These works are characterized by the collision of contrasting graphic passages, and by sly shifts of scale and perspective. 'Robot and Bear' features the artist’s dogs (past and present) transported into an apartment from the pages of an interior design magazine, looking out over Los Angeles.
ABOUT THE ART
"You could call [my work] a visual diary or even a personal history. I’m not going to paint something that doesn’t have anything to do with me. Of all of the possible things I could paint, the thing that interests me is something that I can get close enough to in order to paint it honestly."
— Jonas Wood
In his boldly colored, graphic works—including paintings, drawings, and prints—Jonas Wood combines art historical references with images of the objects, interiors, and people that comprise the fabric of his life. Translating the three-dimensional world around him into flat color and line, he confounds expectations of scale and vantage point.
Born in Boston, Wood grew up surrounded by the art collection of his grandfather, featuring the work of artists such as Francis Bacon, Alexander Calder, Jim Dine, Robert Motherwell, Larry Rivers, and Andy Warhol. He received a BA from Hobart and William Smith Colleges, Geneva, New York, in 1999, majoring in psychology and minoring in studio art, then attended the University of Washington, Seattle, where he received an MFA in painting and drawing in 2002. During his student years, he explored making collage-like works based on montaged photographs that he took of himself, his friends, and their surroundings. These early photo-based paintings possess a darker and more volatile energy that is not as immediately evident in the work Wood is known for today.
Shortly after art school, Wood moved to Los Angeles, where he worked for the painter Laura Owens for a few years. Wood currently shares a studio with artist Shio Kusaka, his wife since 2002, and the pair often work in tandem, motifs migrating from Kusaka’s ceramic vessels to Wood’s paintings and back again. Common subjects include plants, portraits, and sports imagery, all of which come together in Wood’s lush interiors and intricate still lifes. He and Kusaka also incorporate imagery from their expansive art collection—including works by Alighiero Boetti, Michael Frimkess and Magdalena Suarez Frimkess, Mark Grotjahn, and Ed Ruscha—as well as from their children’s storybooks and drawings.
In 2010, Wood had his first solo museum exhibition, at the Hammer Museum in Los Angeles. The exhibition was followed by a number of public commissions, including murals for the High Line, New York (Shelf Still Life, 2014) and the façades of LAXART, Los Angeles (2014) and the Museum of Contemporary Art, Los Angeles (Still Life with Two Owls (MOCA), 2016).
In 2015 Gagosian in Hong Kong presented Blackwelder, which brought together Jonas Wood’s and Shio Kusaka’s works in a dedicated two-person exhibition. This was followed by the couple’s first collaborative museum exhibition, at Museum Voorlinden, Wassenaar, Netherlands, in 2017. In 2019, the Dallas Museum of Art presented Wood’s first major survey show, bringing together thirty-three works from across his career.