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JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery
JEREMY GEDDES 'Signal' (2025) Archival Pigment Print - Signari Gallery

JEREMY GEDDES 'Signal' (2025) Archival Pigment Print

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'Signal' by Jeremy Geddes, 2025
Stunning and surreal new edition by the acclaimed artist.
24 x 43.3 Inches
61 z 110 Centimeters
Archival pigment print on 100% cotton, 300gsm Hahnemuhle Matt photo rag fine art paper using Epson SureColor P7070 & P9070 printers.
Exclusively produced by Image Science.
Timed Limited Edition of 640 (#439/640)
Hand-signed and numbered by the artist in pencil bottom right.

ARTIST BIO

In haunting scenes that fuse photorealism with post-apocalyptic surrealism,Ā Jeremy GeddesĀ renders cosmonauts falling to earth, outsize pigeons in flight, and human figures bursting through walls and writhing in intense emotion.

The paintings emerge from a methodical process, in which Geddes creates and exhaustively reworks preliminary studies of composition, tone, and color that he then translates large-scale through layers of grisaille, opaque color, and modulated glaze.

Despite the dramatic suggestion of narrative, Geddes intends his paintings to be ambiguous and subjectively experienced.Ā ā€œI’m trying to leave the narrative...open to interpretation, whilst juxtaposing enough disparate elements to make some sort of interpretation necessary,ā€Ā he says.Ā ā€œI’m keen to never give enough clues to block any potential explanation the viewer might bring. I want to spark questions, rather than answer them.ā€

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