'Pay Up or Shut Up' by Shepard Fairey, 2015
Rare, Low-Number screen print created by the artist to support Represent.Us' anti-corruption work across the country.
24 x 18 Inches
61 x 45.7 Centimeters
Early screen print on thick, cream Speckletone fine art paper.
Limited Edition of 450 (#13/450)
Acquired from Shepard's recent archive print sale.
Hand-signed and dated by the artist bottom right in pencil.
Hand-numbered in pencil bottom left.
ABOUT THE ART
Shepard Fairey’s “All the Free Speech Money Can Buy” (also known as 'Pay Up or Shut Up') is a striking commentary on the commodification of speech and the corruption of democratic ideals. Using his signature graphic style of bold lines, limited palettes, and propaganda-inspired composition, Fairey depicts a man in a suit whose mouth is forcibly covered by an arm draped in the American flag. The imagery immediately evokes themes of censorship, political coercion, and the way wealth and power can distort the foundational principles of free expression. By pairing the stark visual with the ironic slogan “All the FREE SPEECH Money Can Buy!” Fairey exposes the contradiction at the heart of modern political discourse—namely, that speech is not equally free for all when financial influence dictates who is heard.
The print’s tone is intentionally confrontational. Fairey frames the subject’s alarmed eyes against a suffocating gesture of silencing, creating a tension that pulls the viewer into a conversation about responsibility, complicity, and the fragility of democratic freedoms. The message “Pay Up or Shut Up!” printed below adds a razor-sharp punchline, underscoring the idea that access to public voice is often bought rather than earned. As with much of Fairey’s work, the piece serves not just as a visual statement but as a call for vigilance—reminding us that civic power must be protected from the influence of moneyed interests.
ARTIST BIO
Shepard Fairey is one of the most influential contemporary artists working today, known for blending street art, graphic design, and political activism into a singular visual language. Rising to prominence through his Obey Giant campaign in the late 1980s and early 1990s, Fairey’s art has evolved into a global cultural force—most famously shaping the 2008 U.S. presidential election with his iconic HOPE poster. His work often challenges authority, critiques propaganda, and urges viewers to question accepted narratives, all while maintaining a distinct aesthetic rooted in punk, skate, and DIY counterculture.
Across murals, prints, public installations, and exhibitions, Fairey consistently uses his platform to highlight social injustices, environmental concerns, and the erosion of political freedoms. “All the Free Speech Money Can Buy” is emblematic of his ongoing commitment to confronting power imbalances through accessible visual storytelling. Through bold imagery and incisive commentary, Fairey continues to push art beyond decoration—transforming it into a tool for awareness, resistance, and social change.