'Monkey Parliament III' by Mason Storm, 2022
22 x 31.5 Inches (print)
31.2" x 41.2" x 1.8" (framed)
Giclée print on hand-deckled 350gsm Hahnemuhle Museum Etching fine art paper.
Limited Edition of 750 (#534/750)
Signed, numbered and embossed by the artist.
Also includes original artist-signed Stowe Gallery COA.
*Note: professionally framed in suede top mat with gold fillet, UV-plexiglass and thick, ornate gold hardwood molding.
ARTIST BIO
Mason was born in London and has been a native there for 40 years.
He never attended a ‘normal’ art college. His artistic education began when he was about 12 or 13. One night while attending his local youth centre his Judo class was cancelled and so he wandered into the art class where his friend was doing classes. He continued wandering in and out every night for about 15 years.
The teachers there at the time were students supplementing their grants by working at the centre while creating their own pieces. They went on to become leading lights in the UK contemporary art world having graduated from The Royal Academy of Arts, The Royal College of Arts and Central St Martins.
Art has always remained his passion, however Mason left it to one side while he began a career that was very much removed from the world of art. He cannot reveal all the details of his career path however these are the edited highlights: Judo/Self Defence Instructor, Freelance Security Contractor, Security Consultant/Freelance Intelligence Analyst, Journalist specialising in Intelligence/Espionage/Terrorism, Law Graduate, Barrister.
As a distraction Mason took to creating sculpture and was asked to take part in a show. From then on he has gradually returned to art. It’s far more entertaining than his past activities.
Masons work has been considered controversial and provocative, however he never try’s to be controversial in his subject matter just for the sake of it, there is always an underlying reason for the work he produces.
Mason is probably best known for his mask. It has become a trademark, hiding his identity whilst creating a mystique which helps with promotion and publicity. He began wearing it when in 2010 he said he was going to reveal the face of the artist Banksy in an oil painting. The whole campaign was nothing more than a big marketing ploy and it worked. The supposed unveiling of Banksy courted a lot of negative publicity and the occasional death threat. Nothing he hasn’t encountered many times in his previous life but he knew the fact that he was remaining anonymous would annoy Banksy’s followers even more. Secondly, in his previous careers he has met and dealt with some extremely dangerous men. There is no risk to his security but he would rather the two worlds never meet. Also he occasionally does freelance work and its better for him if he remain in the shadows so to speak. So the mask, apart from its marketing potential allows him to hide in plain sight.